Arts & Culture
Arts & Culture
Fire Play | Fire Play |
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| Written by staff writer | |
| Saturday, 03 March 2007 | |
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The Risk Appeal An artist’s decision to make his living from his art is always risky, but for glassblower Philip Jacobs, risk is part of the appeal. After all, working with molten materials and flame at temperatures well above 2000˚ is physically dangerous. But playing with fire has taught Jacobs to transform risk into faith, just as fire transforms the most basic of elements–sand, limestone, soda ash and potash–into the fiery splendor of his glass. ![]() Philip Jacobs at Work Jacobs took his newfound fascination for glassblowing, and, he admits, his intrigue with its danger to the School for American Craft in Rochester, NY where he earned his Bachelor of Fine Arts and met his future wife, Karissa, a ceramics major. Since Karissa grew up in Lovell, ME, the couple often spent their summers hiking and camping in the nearby White Mountains. When they graduated from the School of American Craft in 2000, they headed to North Conway, NH, searching for a site for their new studio-gallery. By July they had found it in a rundown building right in the heart of the Village. The transformation of the building to a studio-gallery demanded large investments of sweat and cash. “We poured everything we had into the place over the next five months,” Jacobs recalls. “We completely gutted the interior and rebuilt everything from the ground up all by ourselves.” Earth & Fire Studio Gallery opened just before Christmas of 2000, featuring a well-lit gallery and open workspace where visitors watched the creation of glass and ceramic art. Earth & Fire Studio Gallery on Seavey Street featured the glasswork of Jacobs and the functional ceramics and sculpture of his wife and partner, Karissa Masse Jacobs. The decorative elements of her dishes and teapots are considered and balanced, accentuating the forms without distracting from them. Her sculptures feature the female form portrayed in clay, enhancing the connection between earth and the fertility inherent in the figures. She has designed earthenware and glazing techniques to give her sculptures a timeless quality and confides that she likes to imagine her work being found and interpreted as artifacts in the future. ![]() Karissa at Work in Her Studio The Jacobs’ dedication to that tradition of fine craft was recognized last summer when The League of New Hampshire Craftsman Shop in town, first opened in the 1970s, came up for sale. Needing a larger space, the Jacobs offered a figure that they could afford in the open bidding but were outbid by others. In a tribute to Philip and Karissa’s artistry, the League rejected higher bids and accepted the Jacobs’, saying they wanted to support the League members and the next generation of craftsmen. “It was them living up to their mission statement, “ explains Jacobs. “They could have gone for the money, but instead, they went for the statement and morals.” The fall has been spent tying up the business details of the transaction and a month-long rehabilitation and renovation of the building. Philip’s 5000-pound glass furnace and Karissa’s ceramics kiln have been moved and set up in the studio gallery; Philip’s space is on the first floor and Karissa’s is in the basement. When the store opens in December–as the first artist-owned Shop in the League’s 74-year history, there will be 2 signs over the door, League of New Hampshire Craftsmen and Earth & Fire. Patrons will still be able to watch the Jacobs at work, as at the original Earth & Fire gallery, and peruse the “best of the best” craftsmen of the League as well. ![]() Beautiful Hand Crafted Finished Product 2526 White Mountain Hwy, N. Conway, NH, 603.356.8698, www.earthandfirestudio.net |
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| Last Updated ( Wednesday, 04 April 2007 ) |
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